遗弃之地

　　影片改编自真实事件，讲述了艾丽提·温纳（Reality Winner）因向新闻网站泄露有关俄罗斯干预美国2016年大选的情报而被定罪的故事。

　　出品单位: 北京嘉华仁和国际文化传播
　　
　　英谈女人水秀在丈夫冯玉泉采石被砸伤并失往生养能力后，她默默承受着巨大的精神压力，用大山里女人的淳朴固守着瘫痪丈夫。在她家宅基地被邻居占有时，她为了古建筑的完美和自己的正当权益打起了官司，并为了保护女性尊严而痛苦地砸毁石板场。终极，她不甘平庸、带领留守妇女共同开创致富道路，当选为村长并带领乡亲把英谈旅游业搞得红红火火。

　　雷莫·曼弗雷迪尼是一位传奇骑师，但他的自我毁灭行为开始盖过他的才华，并威胁到他与女友阿布拉尔的关系。在他职业生涯中最重要的比赛当天，他遭遇了一场严重事故，而这场比赛本可使他还清对黑帮老板西雷纳的债务。雷莫之后从医院消失，游荡在布宜诺斯艾利斯的街头。他摆脱了自己的身份，开始发现自己真正应该成为的样子。但是西雷纳想要找到他，不论死活。

　　家居设计师杨默是只苦逼单身狗，每天回家的乐趣就是意淫隔壁大胸妹。有天下班回家后，杨默接到了富二代思聪攒局撩妹的电话，于是兴致勃勃的去赴约。而当他跟着手机定位走到目的地，却找不到大趴轰，只找到了荒郊野外的一家情趣店。当杨默莫名其妙走进情趣店抱走充气娃娃的那一刻,他没想到后来发生的事情竟让他永世难忘……

　　考完大學入學考，20歲的男同志光浩和朋友到同志酒吧放鬆一下。他在那裡偶然認識了俊，毅然決然跟著他到首爾的家裡過了一夜。

　　受夠父母的16歲少女（程希緹 飾），闖入一座詭譎的奇幻遊樂園，她表裡不一的爸爸（温昇豪 飾）與別有居心的媽媽（曾珮瑜 飾），這對有名無實的夫妻，竟然被一群詭異少年綁架到樂園裡關起來 ...

　　以煤炭为主要燃料的时代，国冈铁造（冈田准一饰演）就预测到石油在未来的发展性，随即于北九州展开石油生意。面对国内业者与欧美石油巨头的强硬阻挠，他毫不气馁，更以有别于常规的想法和高度行动力，以及珍惜下属的心，拓展出全新事业版图；即使日本战败，铁造坚毅的身姿也从未改变。不过，给日本人更大冲击的那起「事件」终究发生！在遭遇石油巨头的敌视、输油路线遭到封锁，根本无油可卖之时，铁造做出一个疯狂决定──将最后一艘巨大油船「日承丸」偷偷派遣至伊朗，想从伊朗直接输入石油，而这个行动无异与支配伊朗的英国为敌。铁造不顾下属反对，面对石油巨头，开启了艰难战役。究竟日承丸能否躲开英国舰队的眼目，顺利返回日本？而铁造又何以被人们称之为「海贼」呢？

　　To chase her dream of going to school in her remote Himalayan village, a feisty paraplegic girl locks horns with her tradition-bound grandfather.
　　Sprightly Chuskit's dream of going to school is cut short when she is rendered a paraplegic after an accident. She's confined to life indoors in the company of her strict grandfather, Dorje. Chuskit continues to harbor hopes of school but Dorje tries to make her understand that school can't handle her needs. As life at home gets harder, her battle with her grandfather exacerbates. Caught in between their struggle are Chuskit's parents and her enterprising brother who want to respect the old world views that Dorje represents, but also want to keep Chuskit's spirit alive. Chuskit will have to get her grandfather to yield or she will have to accept the reality he has chosen for her.

　　十年前的冬至饭局是一场混乱的开端，舅父因误会与外婆关系破裂，就此拂袖而去。早已躁动不安的爸爸情绪大爆发，举刀恐吓提出离婚的妈妈，结果误伤了女儿，儿子无法原谅父亲，继而离家出走。十年过去，一家人的关系仍然结冰。表妹忽然从英国回港，带来了舅父的死讯，并希望促成一场冬至饭局，以圆死者遗愿。久违的饭局邀请，令众人检视自身与家人关系，有人决定出走，亦有人选择回来。面临瓦解的危局，正好也是这个家庭修补关系的契机。

　　宝贝·珍妮·汉德森（贝蒂·戴维斯 Bette Davis 饰）曾是风靡一时的童星，整个汉德森家都依靠她的收入过活，这使她的性格变得日益扭曲和跋扈。比起珍妮，作为姐姐的布兰奇·汉德森（琼·克劳馥 Joan Crawford 饰）不过是一只不足挂齿的丑小鸭，不仅妹妹对自己视若无睹，就连父亲对她都大呼小叫态度恶劣，忍气吞声的布兰奇在心中埋下了仇恨的种子。成年后的姐妹两地位发生了逆转，珍妮的愚蠢和怪癖让她逐渐过气，而颇有姿色的布兰奇倒是在演艺圈获得了空前的成功，尽管布兰奇处处提携珍妮，但珍妮无法平衡内心的落差，总是想方设法和姐姐作对。
　　一场突如其来的车祸使得布兰奇永远失去了双腿，珍妮也因此变得疯疯癫癫，布兰奇想把珍妮送进医院，珍妮却想消抹布兰奇的存在，彻底的取代她的位置。最亲近的两个女人在一处隐秘的别墅里开始了相互折磨的生活，而在这生活之下，似乎还隐藏着什么不可告人的秘密。

“Sangen Om Den Eldröda Blomman” ( “Song Of The Scarlet Flower” ) was a recent and remarkable silent surprise for this Herr Von; the oeuvre is an excellent Herr Stiller silent film that this German count watched in a newly restored and tinted copy. It combines the well-known aesthetics, technical improvements and artistic merits for which the Nordic director was known and praised since those early silent times till today.                                    
                               The film tells of the merry and carefree love life of young Olof ( Herr Lars Hanson ) a woodsman who during his search for true love, seduces many frauleins ( just like this German aristocrat… well, not exactly because the purpose of this Herr Von’s seduction of rich fräulein heiresses are their great fortunes… ). He will suffer disappointment and deception, all those problems that turn up in any loving relationship. Finally he will find responsibility and maturity, learning during his particular quest that his actions always have consequences in different degrees to the people around him. This Herr Von can describe “Sangen Om…” as a kind of coming of age film, the special introspective growth toward maturity of a free and easy youngster.                                    
                               As this German count said before, the film displays Stiller’s characteristic artistic virtues. ; in the first part of the film, we can see elements of comedy, not exactly like the comedy of intrigues in other Stiller films, but humor of a more cheerful sort, highlighting the self-involvement of our hero. Olof ‘s frivolous flirtations with the different girls eventually turn romantic and then turn into drama. There is conflict in the troubled relationship between Olof and his father and later with the father of his beloved. The beautiful and wild natural landscapes of Norrland and northern Sweden lend the tale a certain power and is characteristic of Herr Stiller’s other silents where Nature emerges as an important character in the story. This is strongly reflected throughout the film but especially during the frantic scene wherein Olof descends into the troubled waters of a river, a beautiful metaphor for the hardships that our hero has to endure until he finds himself.                                    
                               “Sangen Om Den Eldröda Blomman” is an excellent, beautiful film, a solid, technically perfect and intricate production of 1919 that demonstrates once again the importance of Herr Stiller for silent film history.